JENNY IN BRIEF
Jenny Rachel Weiner was the 2016/2017 Tow Foundation Playwright-in-Residence at the Roundabout Theatre, where she has been named an Associate Artist. Select plays include: diventare (The Harold & Mimi Steinberg National Student Playwriting Award), Horse Girls (which has been performed around the world, notably New York, Chicago, Seattle, and London; published by Samuel French), Jason&Julia (Williamstown Theatre Festival Workshop Production, Wyoming Theatre Festival Reading, City Theatre of Pittsburgh Reading), Stagedream (co-written with Lee Overtree; Mainstage production at Playwrights Horizons Downtown), Kingdom Come (Roundabout Underground Production 2016; published by Samuel French), Part & Parcel (Primary Stages Reading Series, Perry Mansfield Theatre Festival, Finalist for the Blue Ink Playwriting Award, Recipient of the Mark Twain Prize for Comedic Playwriting), Damsels (developed at Space on Ryder Farm, Williamstown Theatre Festival Sagal Fellowship Production 2018), I'll Get You, My Pretty (Residency and Workshop at the University of Florida School of Theatre and Dance). Jenny is under commission by Roundabout Theatre Company and Manhattan Theatre Club, and has developed plays with the O’Neill Theatre Center, Williamstown Theatre Festival, Northlight Theatre, Piven Theatre Workshop, Primary Stages, and Space on Ryder Farm.
BFA: Boston University; MFA: Fordham University.
Jenny recently graduated from the Lila Acheson Wallace American Playwrights Program at the Juilliard School.
She is currently writing a movie for Universal Studios.
ABOUT MY WORK
In my writing, I aim to create an experience where people feel: whether it be a release in the form of laughter, or a release in the form of tears, I am always aiming towards telling stories truthfully and with heart, with a sense of clear specificity so that the audience can see themselves reflected back, see their deepest selves, see their darkest selves, see the questions they want to ask the world, see the things in the world that make them angry, that make them feel excited, that calls them into action.
My intention is to tap into a sense of truth, and I think that's what makes theatre recognizable and resilient. I do this much of the time with humor and an attention to nuance and specificity. At the core of my work, is a curiosity and love for people--a love that is unafraid to expose our longings, faults, and contradictions.
I am also deeply nostalgic.
So much of my work is rooted in nostalgia. Take a look at some of my old weird pictures to see why I am who I am and what influences the plays I write.