A BRIEF BIO
Jenny Rachel Weiner was the 2016/2017 Tow Foundation Playwright-in-Residence at the Roundabout Theatre, where she is an Associate Artist. Select plays include: diventare (The Harold & Mimi Steinberg National Student Playwriting Award), Horse Girls (which has been performed around the world, notably New York, Chicago, Seattle, and London; published by Samuel French), Jason&Julia (Williamstown Theatre Festival Workshop Production, Wyoming Theatre Festival Reading, City Theatre of Pittsburgh Reading), Stagedream (co-written with Lee Overtree, upcoming: production at Playwrights Horizons Theatre School), Kingdom Come (Roundabout Underground Production directed by Kip Fagan; published by Samuel French), Part & Parcel (Perry Mansfield Theatre Festival, Finalist for the Blue Ink Playwriting Award, Recipient of the Mark Twain Prize for Comedic Playwriting), Damsels (developed at Space on Ryder Farm, reading at the Signature Theatre directed by Meredith McDonough, upcoming: Williamstown Theatre Festival Sagal Fellowship Production), I'll Get You, My Pretty (Residency and Workshop with the University of Florida School of Theatre and Dance). Jenny is under commission by Roundabout Theatre Company and Manhattan Theatre Club, and has developed plays with O’Neill Theatre Center, Williamstown Theatre Festival, Northlight Theatre, The Lark, Primary Stages, and Space on Ryder Farm. She is currently writing a movie for Universal Studios.
BFA: Boston University, MFA: Fordham University/Primary Stages.
Jenny currently attends the Lila Acheson Wallace American Playwrights Program at The Juilliard School.
When Jenny isn’t writing plays, you can catch her directing and performing with NYC/LA based theatre company Story Pirates.
ABOUT MY WORK
In my writing, I aim to create an experience where people feel: whether it be a release in the form of laughter, or a release in the form of tears, I am always aiming towards telling stories truthfully and with heart, with a sense of clear specificity so that the audience can see themselves reflected back, see their deepest selves, see their darkest selves, see the questions they want to ask the world, see the things in the world that make them angry, that make them feel excited, that calls them into action.
My intention is to tap into a sense of truth, and I think that's what makes theatre recognizable and resilient. I do this much of the time with humor and an attention to nuance and specificity. At the core of my work, is a curiosity and love for people--a love that is unafraid to expose our longings, faults, and contradictions.
I am also deeply nostalgic.
So much of my work is rooted in nostalgia. Take a look at some of my old weird pictures to see why I am who I am and what influences the plays I write.